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Orbit Culture - Death Above Life Ltd. - Digi CD
ORBIT CULTURE is a band poised. The Swedish quartetās Century Media debut, āDeath Above Lifeā, is not merely a statement of how far the band has come, but it is the sound of metal in the most modern sense. āThis record represents change, a new beginning,ā says ORBIT CULTURE guitarist, vocalist and songwriter, Niklas Karlsson. āIt brings up a lot of good and bad emotions but itās a big change for the better. It feels like a rebirth.ā From the albumās scorching opener, āInfernaā to its clench-fisted title track to the elegiac closer, āThe Path I Walkā, Itās clear: ORBIT CULTURE is at the top of their game.
Aside from their DIY ethos and their uncompromising, disturbing dark-on-dark visuals Karlsson credits his love for soundtracks and cinematic soundscapes for fleshing out ORBIT CULTUREās sound and vision. Composers including Hans Zimmer (Dune,
Interstellar) and Howard Shore (Lord of the Rings) have become a huge influence on the band. āSo much more than any metal being written today,ā Niklas states. āEvery one of us would rather listen to the āInceptionā soundtrack. Itās timeless. When I get stuck writing, those tools and inspiration are there, whether itās cellos or pianos which adds texture. We write very easy riffs and structures, so turning to someone like Hans Zimmer leads us to taking the ending of a songs like āInfernaā and making the final chorus bigger and more cinematic.ā
Produced by the band and mixed by Buster Odeholm (Vildhjarta, Humanityās Last Breath, Thrown), āDeath Above Lifeā is a statement for metal: its present and future. Itās also a crucial next step for ORBIT CULTURE as they continue to define themselves and metal, as a whole. āWe play metal,ā says Karlsson. āWe have influences of Djent, influences of metalcore, melodic death metal. We stay true to ourselves, and I think people are hungry for that.ā
Aside from their DIY ethos and their uncompromising, disturbing dark-on-dark visuals Karlsson credits his love for soundtracks and cinematic soundscapes for fleshing out ORBIT CULTUREās sound and vision. Composers including Hans Zimmer (Dune,
Interstellar) and Howard Shore (Lord of the Rings) have become a huge influence on the band. āSo much more than any metal being written today,ā Niklas states. āEvery one of us would rather listen to the āInceptionā soundtrack. Itās timeless. When I get stuck writing, those tools and inspiration are there, whether itās cellos or pianos which adds texture. We write very easy riffs and structures, so turning to someone like Hans Zimmer leads us to taking the ending of a songs like āInfernaā and making the final chorus bigger and more cinematic.ā
Produced by the band and mixed by Buster Odeholm (Vildhjarta, Humanityās Last Breath, Thrown), āDeath Above Lifeā is a statement for metal: its present and future. Itās also a crucial next step for ORBIT CULTURE as they continue to define themselves and metal, as a whole. āWe play metal,ā says Karlsson. āWe have influences of Djent, influences of metalcore, melodic death metal. We stay true to ourselves, and I think people are hungry for that.ā
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ORBIT CULTURE is a band poised. The Swedish quartetās Century Media debut, āDeath Above Lifeā, is not merely a statement of how far the band has come, but it is the sound of metal in the most modern sense. āThis record represents change, a new beginning,ā says ORBIT CULTURE guitarist, vocalist and songwriter, Niklas Karlsson. āIt brings up a lot of good and bad emotions but itās a big change for the better. It feels like a rebirth.ā From the albumās scorching opener, āInfernaā to its clench-fisted title track to the elegiac closer, āThe Path I Walkā, Itās clear: ORBIT CULTURE is at the top of their game.
Aside from their DIY ethos and their uncompromising, disturbing dark-on-dark visuals Karlsson credits his love for soundtracks and cinematic soundscapes for fleshing out ORBIT CULTUREās sound and vision. Composers including Hans Zimmer (Dune,
Interstellar) and Howard Shore (Lord of the Rings) have become a huge influence on the band. āSo much more than any metal being written today,ā Niklas states. āEvery one of us would rather listen to the āInceptionā soundtrack. Itās timeless. When I get stuck writing, those tools and inspiration are there, whether itās cellos or pianos which adds texture. We write very easy riffs and structures, so turning to someone like Hans Zimmer leads us to taking the ending of a songs like āInfernaā and making the final chorus bigger and more cinematic.ā
Produced by the band and mixed by Buster Odeholm (Vildhjarta, Humanityās Last Breath, Thrown), āDeath Above Lifeā is a statement for metal: its present and future. Itās also a crucial next step for ORBIT CULTURE as they continue to define themselves and metal, as a whole. āWe play metal,ā says Karlsson. āWe have influences of Djent, influences of metalcore, melodic death metal. We stay true to ourselves, and I think people are hungry for that.ā
Aside from their DIY ethos and their uncompromising, disturbing dark-on-dark visuals Karlsson credits his love for soundtracks and cinematic soundscapes for fleshing out ORBIT CULTUREās sound and vision. Composers including Hans Zimmer (Dune,
Interstellar) and Howard Shore (Lord of the Rings) have become a huge influence on the band. āSo much more than any metal being written today,ā Niklas states. āEvery one of us would rather listen to the āInceptionā soundtrack. Itās timeless. When I get stuck writing, those tools and inspiration are there, whether itās cellos or pianos which adds texture. We write very easy riffs and structures, so turning to someone like Hans Zimmer leads us to taking the ending of a songs like āInfernaā and making the final chorus bigger and more cinematic.ā
Produced by the band and mixed by Buster Odeholm (Vildhjarta, Humanityās Last Breath, Thrown), āDeath Above Lifeā is a statement for metal: its present and future. Itās also a crucial next step for ORBIT CULTURE as they continue to define themselves and metal, as a whole. āWe play metal,ā says Karlsson. āWe have influences of Djent, influences of metalcore, melodic death metal. We stay true to ourselves, and I think people are hungry for that.ā

















